“I am interested in late plays,” says director Tamara Harvey, as she settles into a seat in the gracious wood-panelled rehearsal room of the Royal Shakespeare Company’s Swan Theatre. “Something happens in some writers where they’ve had their big hits and they get to a point of devil-may-care — you can feel a confidence and a defiance in the writing.”
https://www.ft.com/content/54a23ba4-7308-4cfc-b9b7-2e04f5afd123