josemanuel @josemanuel@qoto.org

@urusan Not much, I suppose. “I'm leaving Twitter now that Elon owns it” is the new “I'm moving out of the US if my candidate doesn't win”.

If anything, people will open an account on mastsoc that they will never use and then stay on Twitter to be “part of the resistance” or something.

Moving to Fedi is a matter of principle, not a whim. And these people are nothing if not whimsical.

@ademalsasa

> Do you see this message? If yes, you are on Mastodon, a sharing community.

No. You are on the Fediverse. Mastodon is just a part of it (and not even the best one). Let's not confuse the two.

@veer66 Well, let me tell you a story...

Back in the day, I had to work on a platform that was an unholy mix of Symfony and a hopelessly outdated version of Joomla with some WordPress blogs thrown in. That platform didn't have any documentation (I even had to decompile some Python bytecode to get some passwords we needed), version control system or a dedicated machine for testing/development. Everything was done live, in production.

So, yeah. You can do it, but it's miserable and, at least at first, nerve-racking. (At some point, you stop caring whether the platform lives or dies for a few minutes.) Glad I left. At least I learned about systems administration.

@niko
@Notxor ¿No se suponía que quienes venían eran los buenos?

@vaartis That's a pretty bold statement from someone who discovered Peter Gabriel and Kate Bush sometime last year.

@vaartis Do you have anything by Those Dancing Days? Not even their (old) label sells their stuff anymore.

@smaurizi Grazie a te! Il piacere è nostro.

Please welcome Stefania. She's a great journalist.

@smaurizi Benvenuta.

@claudiosegovia La recomiendo encarecidamente. Es una película compuesta de varias historias cortas que suceden en distintas ciudades del mundo: LA, NY, París, Roma y Helsinki. (Creo que no me dejo ninguna.) Y Benigni, en la de Roma, está divertidísimo. La de Nueva York también es una maravilla. Sale Giancarlo Esposito, de joven, antes de que todo el mundo lo (re)descubriera.

Ahora que lo pienso, otra muy buena con Benigni (y del mismo director, Jim Jarmusch) es _Down by law_. Ahí sale también Tom Waits.

@ElMichel

@kingu_platypus_gidora@octodon.social https://nitter.tiekoetter.com/kaylasansk/status/1584971171397013505

@orbifx Like GitHub, but EU-based, community-supported and focused on free software.

@ademalsasa

@ElMichel ¿Lo has visto en _Noche en la Tierra_?

@claudiosegovia

Using Slackware. Debian is trash.

Stupid typos. At least I noticed it when I wrote: “Those who don't lack at my jobs”. I'm not on autocorrect. I really typed that. If anyone wonders why I take so long to reply, there you have it. It and the fact that whenever I post something, I immediately forget about it and go do something else.

I don't like people who lack a sense of humour, and by that I don't mean: “Those who don't laught at my jokes”, but: “Those who can't even distinguish between a joke and a serious statement, especially when they claim to appreciate humour themselves”.

@kingu_platypus_gidora@octodon.social We are Devo!

Aprovecho para contaros mi sistema particular: nombres de comunidades autónomas, provincias y capitales, en castellano. Todo lo demás, el topónimo oficial.

Ejemplos: Gerona en vez de Girona, Xixona en vez de Jijona, Santurtzi en vez de Santurce, Comunidad Valenciana en vez de Comunitat Valenciana.

Entonces, ¿cómo funciona lo de escribir topónimos? ¿Usamos la denominación oficial o la del idioma que se utilice? Lo digo porque no quiero que nadie me llame facha por decir Gerona o Lérida.