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Been away for a while, much depressing disease around me (on top of world climate in more than one sense)…
Now built a new (of sorts) angle #illusion, strifing for the simplest arrangement showing the illusion: michaelbach.de/ot/ang-obliqueS

Our new study is about to be submitted! We demonstrate that the effect of a background noise on is multifaceted, even in the case of a simple stationary white noise. You can find the on @biorxivpreprint (biorxiv.org/content/10.1101/20), the raw and processed data on (zenodo.org/record/7476407#.Y67), and the document on (osf.io/4ju3f/). @psycholinguistics

#phdchat does anyone have advice or resources on starting the introduction for the PhD? I'm doing it by publication, so I need a normal intro literatuatue review chapter & a second part to tie it all up. Feels like a mammoth task and my blank page is looking extremely daunting and empty 🤣. #academicchatter #phd #writing

A great way to start the year: finding that one's work on the neural encoding of noisy whistles by guinea pigs is featured on the front cover of the January issue of the Journal of Physiology!
(The article by Samira Souffi et al. is freely available here hal-cnrs.archives-ouvertes.fr/ or behind paywall here physoc.onlinelibrary.wiley.com)

DAGs, Golems, and Owls: Statistical Rethinking 2023 Lecture 1 (of 20). No hard work in this introductory lecture, just a conceptual outline and some dank memes. Lecture 2 later this week introduces Bayesian inference. youtube.com/watch?v=FdnMWdICdR

A microscopic investigation of the effect of random envelope fluctuations on phoneme-in-noise perception biorxiv.org/content/10.1101/20

Another very interesting piece in this museum is the Mini-componium, a replica of the original Componium built by Diederich Nikolaus Winkel in 1821. This remarkable mechanical music instrument can vary the music it plays using a randomizing mechanism! In fact, the Componium creates endless variations on a theme by selecting randomly one of the 8 possible melodies every two measures.
In a sense, this is a very early example of

(en.m.wikipedia.org/wiki/Compon)
(3/3)

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My periodic reminder that my book on the discrete Fourier transforms (incl. FFT, finite fields valued FT, representation theory, and more) is available for free. mathematical-tours.github.io/d

Another very interesting piece in this museum is the Mini-componium, a replica of the original Componium built by Diederich Nikolaus Winkel in 1821. This remarkable mechanical music instrument can vary the music it plays using a randomizing mechanism! In fact, the Componium creates endless variations on a theme by selecting randomly one of the 8 possible melodies every two measures.
In a sense, this is a very early example of

(en.m.wikipedia.org/wiki/Compon)
(3/3)

Show thread

These music boxes were probably built at the end of the 19th century. An extra feature is the panorama of the horse race in the cabinet. By inserting a coin, the music is played and one can gamble on the winning horse. The machines were designed in such a way that the winning horse could not be predicted with any certainty.

I don't know how it works, but this is maybe one of the earliest random number generator! (2/2)

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These music boxes were probably built at the end of the 19th century. An extra feature is the panorama of the horse race in the cabinet. By inserting a coin, the music is played and one can gamble on the winning horse. The machines were designed in such a way that the winning horse could not be predicted with any certainty.

I don't know how it works, but this is maybe one of the earliest random number generator! (2/2)

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Yesterday I visited the Speelklok museum in Utrecht, an exhibition of an incredible number of self-playing instruments. Among them, I was particularly amazed by the "Horse Race" music boxes... (1/2)

If you use frequentist statistics, you have to accept that 'no isolated experiment, however significant in itself, can suffice for the experimental demonstration of any natural phenomenon; for the "one chance in a million" will undoubtly occur, with no more or less than it's appropriate frequency, however surprised we may be that it should occur to us.' (Fisher). Replication is a core requirement of all frequentist statistics.

New paper provides a history of “voodoo science,” which discusses the controversy surrounding Vul et al.’s (2009) controversial article “Puzzlingly High Correlations in FMRI Studies of Emotion, Personality, and Social Cognition.”

Five quotes follow: 🧵👉

🔓 doi.org/10.3390/socsci12010015

#MetaScience
#Neuroscience
#Neuroimaging
#MetaResearch
#PsychMethods
#ReplicationCrisis
#PhilosophyOfScience
#PhilSci
#Fmri
#VoodooCorrelations
#UseNovelty
#MultipleTesting

Ce sera bientôt les 10 ans de la disparition du regretté Aaron Swartz, le 11 janvier 2013 à l'âge de 26 ans.

Trop peu connu des élèves, étudiants et professeurs, je me suis permis d'y recopier ci-dessous le clip réalisée par France Culture en 2020 qui constitue une excellente entrée pour découvrir sa vie, son œuvre et ses luttes qui demeurent ô combien d'actualité.

Le 11 janvier prochain, parlons d'Aaron Swartz tout autour de nous !

radiofrance.fr/franceculture/a

#AaronSwartz #AaronSwartzDay

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