@Pat Mmm, I've tried looking up a few potential issues but they all checked out. So I don't know what's wrong with the picture. Tell us? :)
@Pat Well, when I saw the picture my line of thinking went along like this:
- Did scale mail exist back then? *Searches* Mm, yeah, that's certainly possible. It was mentioned in a reign before this movie was set in.
- Okay, so, did they have those kind of trumpets back then? Yeah, there were even Egyptian drawings depicting that style trumpet. It's just that the ones with valves existed around 1800s. The medieval type trumpets already existed since Egyptian times. They're apparently called buisine.
- Ok fine. So, hairstyle. Is that normal? Yeah, the usual Egyptian style is often bald shaved (against heat and lice), and they often wore wigs. But they did have external influence, in particular from the Romans (almost typed Romulans there, lol), so that isn't really unthinkable either.
Am I overthinking this? :)
@Pat The only one I can still think of is: Too many white people there? Other than that I'm out of ideas. I'm not knowledgeable enough to figure out if the decorations are all period-appropriate.
The use of the Glaive style weapon would place this in the New Kingdom Era (~1500BC - 1000BC)
Ancient egypt was neither predominately black nor white, they were egyptian, including the slaves. Blacks and whites of course had visited the land but would have been an extreme minority. Therefore most of the characters here, who seem either white or black, would be out of place in any time period.
Spears were not particularly wide spread enough to be the common weapon of a palace guard either. They were used mainly to hunt and rarely (though not absent from) the military.
Historically, science tried to categorize by race, but now that has been rejected. They study specific phenotypes and trace the origins and migration of those genes.
You are right about the variation of skin color. Melinen content varies by latitude (or more precisely by insolation) and takes about 10,000-30,000 years to change in a population (from what I remember). The haplogroup I mentioned originated about 30,000 years ago in west Africa, so likely ancient Egyptian's skin was lighter than in central or west Africa.
But ancient Egyptians (<~1500 BC) definitely were not Welch or any other ethnicity north of Rome, which is the ethnicity of the actors playing those parts.
Entierly agree, and I stated as much in my original comment. The white authority figures in the image are just as invalid historically as the black subservient characters on the outset. Neither are of a race that reflects the egyptian race.
As for your comment on how science has changed with regards to race, thats fairly accurate.In the past race used to be seen as a significant genetic difference to the point that it borderlines on being seen as almost entirely different species. Today race is still a very real scientific construct but as you say it recognizes that genes are far more intermixed. In science race is usually more in line with the idea of subspecies than a species but even then we are more integrated than most subspecies really, but valid all the same.
The main example that I think makes it obvious that race is a legitimate, objective, scientific idea is the fact that if you see someone who has a relatively pure African descent we can identify that via a blood test which will almost always show an overwhelming correlation to genes we expect of Africans. The fact that ones geographical descent can be identified and verified with accuracy through a blood test is pretty solid proof that race is a very real idea.
It not just the numbers of black people in film, it's how they are represented.
Rarely is a black person cast for a leading character who is, for example a Wall Street banker or in a position of authority or dominance over a character played by a white person. If a black actor plays a boss, it typically is a "mean boss" or one who is in opposition to the protagonist.
Or black people are rappers, janitors, criminals, slaves, soldiers, boxers, cops, etc. Or they are killed off early in the film. Even black extras are slighted in films, often placed towards the edge of the frame or blurred out or a white extra walks in front them. It's rampant in Hollywood, and it's not just unconscious bias -- it intentional.
Pick your favorite five films and look at them though that lens. You'll see.
I agree black people can be cast in a racist way.
But what I was referring to wasn't just the numbers they appear in films. Not only do they play leading roles more often than their occurrence in the general population would suggest, but they also win more grammys than their percentage in the population.
So while I wont disagree that racism is often applied to how they are cast, they are also favored more so than other races when awarding them, suggesting the opposite of racism, favoritism at that level. Asians experience this even more so.
I agree "its still racism". It is only reverse racism if the racism was done explicitly with the intention of creating equal opportunity. In other words, if you create disadvantage for whites specifically to help even the opportunities between whites and minorities then that would be reverse racism.
If that isnt the intent then its just plain old racism/favoritism.
Depending on the movie I can see that actually. Though I think 80s wokeness was just a better wokeness, you had 80s shows that were just plain old racist too which would be the non-woke side of 80s I guess.
Consider any movie with eddie murphy in it for example. He was usually well spoken and had some degree of respect. Switching places is a good example that kinda hits it on the nose where its even commentary on this very thing.
In trading places I think the whole point was "hey there is racism so black people are often poor as a result, but they are just as capable of being rich, lets switch them and prove it"... it was literally commentary on the very thing we are discussing.
I dont remember Top Gun well enough to recall the racism in it, though I dont doubt it might be there.
My expiernce with 80's movies is that when it did good black-positive stuff it wasnt at the expense of whites. There was little racism towards whites and a good deal of positive towards blacks (though as you point out plenty of racism towards them). I think this was a good direction to head in.
Today we may have more black-positive movies, though it feels like the numbers are the ame, but the racism towards whites is off the charts and I think that approach has just set us back on the whole race issue overall.
@icedquinn, I think this has more to do with the rise in popularity of urban culture. Take Kingsman or The Gentlemen as examples, we can see that the new generation is portrayed as ghetto regardless of their ethnicity, while the elders are all well-dressed and well-spoken. Cc: @freemo, @Pat and @trinsec
Well, awards are for show -- "See, we're not racist..." Look at distribution of salaries and see if there racism in Hollywood. Also, if you look at actual numbers of impressions, i.e., the number of positive black characters and the size the of audience they get it much smaller than the racist depictions. When a positive film somehow gets past writters, the casting agency, the director, editors, etc., then the distribution company will sabotage the film by advertising to the wrong audience (or not promote it all) or they will put spoilers in the trailers, or somehow mess it up so fewer people see that positive image.
I'm talking about the best actor award mostly. Yes to some extent its given to the show, but also it can be awarded to any of the actors in said show.
But even so if we are saying that shows with mainline black actors are more likely to get awards, and thus the black actors more likely to get awards, then it still suggests some degree of favoritism.
The rest of your points are really harder for me to measure objectively... Im not sure if thats true or not, i hold no opinion. I guess we could look at the current list of movies at the box offices and count how many have negative vs positive black leading roles.
I meant that the movie awards are a kind of tokenism, to attempt to show to the world that Hollywood isn't racist, but when it comes to actually changing things in the films, actually showing positive images of black people in movies, filmmakers generally don't do that.
Racism in Hollywood has changed over the years. Older films were more explicit about it, but newer films are more subliminal about it. They use some the techniques I mentioned early and many others.
It also waxes and wanes over time. During and immediately after the very rough times of the 60s civil rights conflicts, Hollywood made an attempt to clean up their act, but that quickly faded away. During the Obama administration there were a lot of really ugly, subliminally racist films that were released. Now following the BLM movement, there are better films just being released.
Overall, Hollywood has a long way to go to get anywhere close equitable treatment of people of color.
Go back and look at that image I posted -- a bunch of white people in positions of power, while black people are in the background, off to the side of the frame, carrying spears, playing a horn (stereotypical images). This is the more subliminal racism you see in films these days.
I mentioned about a dozen different techniques and stereotypes, not just the boss thing. The point is to pay attention when you watch films. See how black people and other people of color are portrayed. If you really make a point of seeing it, you will see it.
People who are color blind can't see racism.
I agree that inequality of opportunity and disrespect in general is bad and that we need to work at eliminating all prejudice.
I disagree about racism being natural. Recognition of in-group and out-group members may be part of evolutionary psychology (I'd still need to see more evidence of that), but racism, that's taught to people over time. Just defining what characteristics constitute "race", is something that is taught to people starting at a young age.
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